Varicose Veins Pregnancy

Youth and Media

Soccillo: programs outside polemicuzze

Director of Radio 1 is not afraid of elections: "In three years I was called in Supervisory Commission once"
"If a man comes to the direction of the right to immediately think of a gag the editorial office. The first year I spent trying to figure out how it worked and only later I decided the first changes that have baffled those "The" Comunicattive "Igor Righetti is a bit 'real merit in my three years of management "

Asentire networks, the battle of the plays is increasingly reserved for the commercial radio business. But on an average day leadership remains firmly on Radio 1, only to Issuer have exceeded 6 million and a half of listeners in more than a Radio DJ and nearly two more Radio Dimensione Suono. Same podium, but with positions reversed, plays for weekly Rds remains the most popular radio station in Italy with over 13 million hits, just 24. Radio DJ and thousand more than 761 000 more than Radio 1. To make even more significant following the "first channel" is his schedule. "Radio 1 is a unique case in Europe and perhaps the world's leading broadcaster of predominantly informative market resists the top of the preferences just because it is always equal to itself," says Director of Radio 1, Bruno Socillo. "This success in part helped by the glorious tradition of the issuer radio, the first born in Italy. "
A high number of listeners is not constant and can only be inherited from the past. What is the secret of Radio 1?
Largely it is the commitment and skill of those who work there, from directors to drivers. Sometimes used to combine multiple aspects, trying and changing a little 'accents, to find the mix that makes pleasing content on many other means are difficult parts. I come from two decades of journalistic career in television and when I saw the arguments in the lineup on Radio 1 I thought "My God, but who will listen to them?" Were the same content on TV are boring. But the radio has a different effect in radio work. This is because the radio can active listening: sms, mail and phone calls the audience can participate in the creation of the subject on which experts debate round.
long debates between journalists and radio there are innovative programs: how does "The Comunicattive? The idea of \u200b\u200b
Righetti has raised many concerns, but his program is a tie colored gray sull'abito Radio 1. In our schedule was missing something for a younger audience, a bit 'of lucid madness addressed to listeners not so much motivated to listen to long debates and discussions. Once thought "The radio said, it must be true", but today increased the space in which we talk about serious topics in a light. First of "The Comunicattive" that is a bit 'my only real merit in three years of management, there was only "I lost the trend." With Righetti we also built the first radio reality: a full immersion of characters completely different from each other, encouraged to exchange ideas. A similar format was used to "Gr Parliament" to convey the lessons of the constitutional law professor Armaroli, live from schools and interaction with listeners.
company's flagship product of the schedule is "All the soccer minute by minute." How much does this broadcast of the final budget he plays?
Calcium is an added value to Radio 1 and for the entire company and we were able to confirm it thanks to my commitment and that of Rai, che ha provveduto all'acquisizione dei diritti sportivi. Sugli ascolti pesa parecchio, anche perché l'appuntamento è raddoppiato, visto che il sabato pomeriggio seguiamo la serie B. I diritti sono stati pagati a caro prezzo, ma è un servizio per gli italiani che deve essere mantenuto. Certo, anche la televisione è importante, ma per chi passa il pomeriggio fuori casa la radio resta la fonte primaria.
Tanta informazione, dunque. Ma su Radio 1 che spazio c'è per la musica?
Negli anni abbiamo accentuato e migliorato il dna musicale dell'emittente. Sono fiero di aver portato tanti artisti a esibirsi gratuitamente nei concerti del venerdì: in questo modo abbiamo contribuito alla diffusione della musica di qualità, compiendo a step closer to young people.
The results are encouraging, but there was also a no-confidence passed by a large majority. As if you explain that?
As always, when you try to do something new, where tradition reigns, you may not be understood. And if a man comes to the direction of the right to immediately think of a gag drawing. But I'm the first year here at Radio 1 I've spent trying to figure out how the toy, only later I decided the first change, those who have puzzled some people. There is always someone who does not want to debate, but the problem is resolved. The tests never end and basically be tried and then acquitted is a good thing, and I in three years I have been convened in the Supervision Commission at once. At the gates
presents a warm period, the pre-election. Foresees trouble on the horizon?
The mix of information that can be found today on Radio 1 is very balanced. Beyond the "polemicuzze" internal policy statements and careless ones, however, second floor, our programs are always very correct, although the nature of the network the length and variety of the debate could create problems. Of course, during the election campaign all become more vigilant, but let's not forget that Radio 1 have already addressed the regional, with no controversy about our service.


agreement between RAI and the University La Sapienza di Roma
Nasce un progetto di comunicazione e un'emittente


L'esempio più illustre è quello di Facoltà di Frequenza, splendida realtà nata a Siena e ormai affermata nel panorama radiofonico accademico italiano. Ma il progetto dell'Università La Sapienza di Roma è di quelli che fanno subito pensare al sorpasso, se non altro in termini di prestigio. Grazie all'accordo stipulato con RadioRai, infatti, la Facoltà di Scienze della Comunicazione del principale istituto universitario romano si appresta a lanciare una radio d'Ateneo: un progetto ambizioso, con borse di studio e stage d'esperienza in Rai per i laureati più meritevoli e un laboratorio radiofonico che sarà creato direttamente by the Dean of Faculty, Mario Morcellini, he always will be responsible for creating and testing a format of radio support for the University, while the public company will also have a technical advisory role, with regard to the platform on which RadioSapienza born.
Among the fundamental points of the agreement in accordance with the production manager of the Rai radio, Francesco De Domenico, there will also be the establishment of a master to play at La Sapienza University and dedicated to "languages, radio production and marketing of" important In this sense, collaboration with RadioScrigno (the "tech" Production of Radio Rai), which could provide materials, facilities and even a space in the window that opens each week on Radio 1 every Sunday at 23:33. With
RadioSapienza widens the view of the issuers of faculty, whose main examples - in addition to Siena, the first and most prestigious - were born to IULM and at the university of Pavia. But if Radio Iulm transmits only within the university structure and streaming on the internet? Pavia U Live on Tuesday inaugurated the second season aired on RadioTicino Fm, where it occupies two spaces per week. In their footsteps, have already moved other universities, including those of Camerino, Lecce, Salerno, Trento and Verona.

Sleeping With The Enemy Faucet Bathroom

If he is happy!! Linette



to the di Rcs Broadcast traccia il primo bilancio di Play Radio e annuncia un piano di acquisto per aumentare la copertura
Oramai è trascorso un mesetto da che RcsMediaGroup ha lanciato Play Radio. È tempo di un primo bilancio e Pietro Varvello, amministratore delegato di Rcs Broadcast, ha accettato di lasciarsi tastare il polso per misurare la "temperatura" della nuova emittente.
Siete fuori dai rilevamenti Audiradio. Vi siete però fatti un'idea di come sta andando Play?
Una nuova radio è automaticamente fuori dalle rilevazioni. Abbiamo scelto di stare fuori anche per il 2006 perché due anni sono il tempo giusto per la necessità fisiologica di mettere a punto il prodotto. Inoltre in Audiradio la notorietà del marchio è rewarding and until we are at full capacity is better to be on the bench. moreover, they did even 24 and Radio m2o. However, we have the pulse of the situation, but we measure to see internal objectives. The feedback has been positive in the programs reach peaks of 100 sms and 70 to 80 calls. Of course this is a rough indicator for internal use but is useful for generating a reinforcement of the sentiment. Then the plan is that late this year or early 2006's plays are monitored by a research institute at national level.
What strategies were used to retain the public?
We follow the canonical method is adopted for the launch of a new product campaigns, we plan to mark up the umbrella at year end. Next year we will focus on two or three programs at the times to point to the canonical name of the programs.
Explain better.
We put the word play in association with a specific identifier in the name of each program to give greater visibility and to enhance the prestige of the conductors so as to come in a targeted manner in the range of listening.
how advertisers are reacting?
The reception is positive. But there was no particular preference for either transmission: it is a general assessment of satisfaction for news editorial. We are studying a time slot (the one from 9 to 10 am) and in the coming months we rotate the wires to implement the range of choice and to retain the public to other names. On
thing, however, were still working?
There are always things to improve. For example, the combination of music to suit the mood of each shift and to better customize the fascia. It is a continuous process of aging and also serves to test the songs.
What has given the hype?
is too soon to make the measurements. It would be premature "to give the numbers" after a month. But the innovative use of media has reinforced the position and was perceived as such even if the product is still in the running.
what mood you breathe now in place?
The spirit that reigns in the radio is just the point that on Monday we also give a party together with all the internal wires. We also inaugurated the custom of cederci once a month to share progress. It is a practice that much because I denotes participation in the project in which they each want to put his. Well I am very happy because in this way the project is strategic for the whole group.
At the time of presentation she had mentioned a plan to acquire new frequencies. How are you doing?
for this year as we closed the budget forecasts for next year we expect 10 million investment. We will move "a stain leopard "throughout the country. But we know where we want to buy: we are interested in the chief towns with more than 50 000 inhabitants and busiest motorways. As we want to be a radio service, we strive to provide information, for example, as traffic . We also know that 50% of listening is done in the car so we have to carefully evaluate this issue.

Pregnant Elastic Mucus Plug

HOME ABOUT U.S. makes us laugh


Linette makes us laugh HOME ABOUT U.S. - from The Journal - A first


view, it seems that today we deal with calls Deejay Italy, the program of Linus e Nicola Savino broadcast every day from Monday to Friday from 9,30 alle 12, su Radio Deejay. Ma, in realtà, la rubrica di oggi è una monografia su Casa Linetti, che di Deejay chiama Italia è una sorta di spin-off, una serie parallela che scorre, quasi carsica, a fianco dei testi «regolari» di Linus e Nicola. Ne abbiamo già parlato in passato, ma stavolta Casa Linetti riesce a strappare per sé tutta la puntata di Sulla cresta dell'onda. Casa Linetti, essendo sarcasmo puro nei confronti della famiglia di Linus (e di tutte le nostre famiglie), non può essere firmato da Linus. E quindi è tutta farina del sacco di Nicola Savino. E quindi somiglia moltissimo a Savino: è una creatura a tratti picassiana, un po' dadaista, a volte grifagna, spesso crudele di una crudeltà programmatic, sometimes (rarely) very sweet. But all these characteristics are summarized in a supercaratteristica: House Linetti is fun listener. For various reasons. Linus - perfect in its ability to laugh at himself - is the prototype of a prissy little 'unbearable. Or at least, likes to be painted like that. And there's nothing better than seeing a prissy in trouble, laughing at his misfortunes, raging about his missteps, massacring its weaknesses. And where are its weaknesses? First, in the family. Strait between the sauces ready his wife Charlotte, the wise elder of the year-end Philip, the cries of adoration second Creature and inexperience of one who lives forever fuori di casa. Per esempio, quando prova per ore ed ore a far funzionare il serbatoio dell'acqua calda, chiama l'idraulico (noi, sadicamente, speriamo quello del pronto intervento, in modo che Linus sia stato salassato) e poi scopre che bastava girare il rubinetto dall'altra parte.
Negli ultimi tempi, la paternità di Nicola ha regalato nuovi straordinari spunti a Casa Linetti, a partire dall'aroma della cacchina di baby-Savino, identico a quello di tutti i neonati, ma - se possibile - più puzzolente. Almeno per esigenze di copione. Così il circolo virtuoso di ironie e autoironie si chiude completamente.
E forse è proprio questa la chiave del successo della soap ospitata ogni giorno o quasi all'interno di Deejay chiama Italia, che ha meritato addirittura una tesi di laurea premiata all'Università degli Studi di Milano. Quando è stata presentata, qualcuno pensava che fosse un po' azzardata, un po' eccessiva, un po' estrema. E, invece, era una tesi più forte di un intero trattato di sociologia. Perché Casa Linetti è casa nostra. E aiuta anche i meno autoironici a ridere su di sé. Magari senza accorgersene.

Film Streaming Lilli Carati

Linus: I'm not bad, just advance the timing

Linus: non sono cattivo, anticipo solo i tempi

«Devo cambiare prima che qualcuno venga a noia, a volte
non è facile: con Giuseppe non ci siamo lasciati bene»



MILANO
Il ruolo di prima radio in Italia è ormai consolidato e Linus può guardarsi intorno comodamente seduto sulla poltrona da direttore. Forse civetta un po', comunque dice che i successi gli fecero vivere «il periodo più brutto nel 2000 quando passammo in poco tempo da 4 a 6 milioni di ascoltatori. Che cosa fare di meglio? Un peso talmente grande che mi venne la depressione». Invece Radio Deejay non ha avuto tentennamenti e «ormai necessita solo di opere di rifinitura». Che possono essere tradotte in arrivi e partenze. Perché ad ogni inizio stagione, quando è tempo di decidere i palinsesti, c'è sempre qualcuno che se ne va e qualcun altro che prende servizio negli studi di via Massena a Milano. Linus confessa: «Non ascolto mai le altre radio»: e allora come sarà Radio Deejay 2005/2006?
starting from the beginning.
"We can not talk about the arrivals?".
too, but "what happened" is always a price to pay when it is in a position like his.
"I understand that the listeners are like family and that the loss of an item is perceived as a failure, but my role is also to anticipate the times. I have to change before anything is boredom and understand when someone has finished a course. For many go away is an opportunity to prolong his career. "
is the case of Paoletta spent R 101 to 105 fugitives and Joseph?
"These are two very different cases. On the human level separation from Paoletta was very painful, because he was with us for fifteen years. Unfortunately, his role had become very marginal in another station will be able to have the space it deserves. "
And Joseph, companion for many years at the Deejay Time Albertino?
"With Joseph we have not left well. Until August 25 was still present, then sold to other economic blandishments. I think he's wrong. " The new
Deejay Time must now seek new ways?
"I understand that it is not easy to find without Giuseppe Albertino after so many years, but the Deejay Time was in crisis plays and it was time to give him a shock. This is why I asked Joseph to reduce its operations, while remaining in the program. Has not accepted and now, the other radio is even less. The Deejay Time will be back strong because if there is one among us who has the most pure ability as a DJ that's my brother Albert. "
Let the news. La Iena Andrea Pellizzari from 20 to 21 and on Saturday mornings from 10 to 12
'habits, particularly in large cities, have changed now that will conclude the afternoon time slot and is no longer the beginning of the evening. Then I thought of a program that made the company, perhaps during the return home, and Andrea seemed the right person. Irene La Medica So I moved from 23 to 24, very suitable for quell'orario. Luciana
Littizzetto from 9 to 10 Monday to Friday?
"It takes three months for the post of Flight Fabio on the set of a movie. In January, will return to Saturday morning and I am glad that Luciana, with all the commitments it has received proposals and continue to work with us. Now four years. "
Saturday from 12 to 14 Zazzaroni Ivan is talking about football?
"I am surprised by the fluency of Zazzaroni and the program is going very well. The Sunday football I have instead given to two young talents such as Andrea and Michael. This was a day to be fixed, so we also brought the program with the Captain Jack mattina, una sfida interessante. Dal 9 ottobre».
Non avete mai pensato ad una maggiore interazione tra la radio e Deejay Tv?
«È una piccola tv satellitare e quindi non ci sono le condizioni economiche. Invece non è da escludere una futura collaborazione con All Music che è del nostro Gruppo».

Pokemon Crystal For Mac

"DEEJAY TIME" OR "DOWN DEEJAY? WHAT 'THE REAL PROBLEM?





Dopo aver segnalato la straordinaria vittoria di Marco Baldini e Fiorello nella fascia dalle ore 14:00 alle ore 15:00 nel primo semestre 2005 di AUDIRADIO, c’è stata un po’ di… “maretta” (possiamo chiamarla così?...) nel GRUPPO L’ESPRESSO e a RADIO DEEJAY per il terzo posto literally suffered from "DEEJAY TIME" that was "loudly" before, as well as former Rosario, also by Marco Mazzoli and zoo RADIO 105.

Likely misunderstandings on the analysis of the result of listening and certainly on the strategy have created a "division" in DEEJAY TIME with Joseph who left really "rocket" the staff, apparently without wanting to Albertino, however convoluted for an immediate wedding RADIO with 105. Laws of competition. Style in the communication from both sides not really fair. Too bad.

But in this whole affair, RADIO DEEJAY has a problem "DEEJAY TIME" or problem "DEEJAY DOWN”? In altre parole, c’è una perdita di una sola fascia o c’è un problema nascente o evidente più ampio?
Ai lettori, studenti e operatori della radiofonia che visitano www.astorri.it, desidero lanciare solo due piccoli elementi di analisi su questo argomento.

La prima analisi porta ad affermare che RADIO DEEJAY HA MANTENUTO UNA QUOTA STRAORDINARIA CAMBIANDO TARGET DI ETA’ DI ASCOLTO IN MODO SIGNIFICATIVO.

L’evidenza del grafico “storico” del target di RADIO DEEJAY degli ultimi 5 anni è davvero più che chiara.




E’ più che visibile la trasformazione verso l’invecchiamento with consistency and accuracy.

The second analysis leads to state: "RADIO DEEJAY struggle to maintain audience share in the Bands HISTORICALLY AND MORE socio-demographic 'youth."

From 14:00 onwards, not just well up until 16:00 to 18:00, SHARE OF RADIO DEEJAY lost in the quarter of an hour (based on a more qualified that there is) an average of 2 or 3 points from 2000 2005. Too.




is to say that perhaps the question is not "DEEJAY TIME" with more music or "Deejay Time" with more speech. There is something else. So the question is one "DEEJAY DOWN" in growing form. At a minimum there is an issue of targets for target age coherent whole station. If

RADIO RDS 105 and not take advantage now, do not really know when they can "think again", otherwise, and I have "no objection" (God forbid ...), we have RADIO DEEJAY leader at least until Linus is not retiring ...


www.astorri.it

[19/09/2005]

Mobile Numbers Of Gays In Mumbai

Gigi D'Ambrosio talks about R101 or points of view


Being a former Werter try to answer and I extend to others who have asked me privately the same thing: if the product we hear today was the final surprise me enough. I think le mutazioni di Radio R101 non siano terminate e mi sembra assolutamente comprensibile: per cominciare, già dalla mia fuoriuscita ad oggi ( il progetto che mi era stato prospettato aveva caratteristiche diverse da ciò che è oggi) ci sono stati dei cambiamenti, probabilmente motivati da imprevisti, ripensamenti, magari un pò di inesperienza o forse anche adattamento alle risorse disponibili.
Non escluderei neppure il fatto che questi "aggiustamenti" possano essere parte di un percorso funzionale ad un piano a medio termine con finalità diverse.
Cerco di spiegarmi: se come si è sentito dire, Mondadori ha intenzione di acquisire altri network, molto dipenderà da quale/i radio compreranno. E' evidente che se fosse of overlapping shapes or even vaguely compete with the current 101, you should decide which radio "pervert" to avoid unnecessary cannibalizations.
Equally true is that if they decided to spend all this money in communication for a product not yet defined or permanently, to get further financial resources to invest will be very substantial.
But I remain today: it seems to me that the new 101 has some good things, to be honest, some not too different from the days when he had 1.3 million listeners, and others to be "perfect."
The choice of music, of its kind, is of the highest quality but, in my opinion, for a short term. Tell you a story: In June of 2003 (three months before to the scandal that led to the arrest on the radio), I attended a meeting with one hand, the publisher and marketing director of 101 and the other publisher and a consultant to the group 105. The purpose of the meeting: to find common ground ... collaborate.
Radio 101, as proposed by the consultant, should have been turned into a radio of past successes, inspired by the case history of Kiss FM in Spain. This radio, with a semi-national coverage and many gaps (comparable to that of 101 at the time) with this choice of format had nearly quadrupled its audience, or from about 350,000 to 1.2 million in one year. The adviser also emphasized that the international trend of the market equivalent Italy, demonstrated how the format was rising most everywhere in "Oldies / Soft AC".
We decided to "monitor" this radio and found that: they spoke very little, had only two commercial breaks per hour and were in a market without competitors in that segment.
Then the thoughts were interrupted by the events ... and the Court has imposed for the duration of seizure not to make any modification of any kind on the radio. That said, I do not think we would have married this line, but choose to follow it could perhaps give us the potential advantages in the short (but considering the different market conditions in Italy than in Spain) but quite evident in the medium term limits (The following year, 2004, for the record, the English radio station has won just over 10 %...). that's why I think the consultants (and throughout the world say the same things) I see the results of 101 after this flood of communication and the huge increase coverage and certainly will make other adjustments to the format. It seems to me perfectly logical and understandable means any radio, including 101, has undergone and is undergoing transformation. I agree absolutely, as a listener, in the hope of finding something
innovative on the market.
Precisely because of this, Mondadori when it took office, I proposed to entrust the job of station manager Roberto Giovalli (former director in 80 years - just 27 years - all of Mediaset, the founder of Tele + and recently La7) not to invade the radio of "television", but to bring together specialists ALGI radio production of a different culture, communication and entertaiment in an area a bit too convoluted and "screwed" up to me anachronistic beliefs.
For the record, Giovalli gave me status, I would have taken a role of close collaboration, but ... the rest is more or less known. Finally
the dreadful campaign in progress: first, will force competitors to groped counter (to the delight of the dealers of billboards, print and TV) expoit investing in this communication, but "ob twisted neck" without resources to other sectors.
Prediction results? I am very curious. I have long believed (along with several colleagues) that 101, despite many flaws editorials, had an untapped potential due to poor coverage and the total lack of communication. But, given my former role, that does not make much sense to me ... A quantitative survey of a year ago, stated that, without changing anything but the same editorial coverage at the network immediately "closer", 101 would have had more than twice as many plays.
Too many and too many but if ... and I prefer not to complain about anything. Certainly the expectations for those who are spending ... investment will be up to! Sorry
the length of the response. Hello

Pink Metal Core Scooter Wheels

Sorry Linus but you seem to exaggerate? Power wears out the mind ....



those who read and what I said yesterday Linus. As you can see repeated
+ times to report and I do not have to faithfully denied! Hello everyone
Ilaria


"Look, to make you a more accurate metaphor (even if often the news
the group I'd like you mentioned), I am the CEO of a major car manufacturer
and we are producing models X . People
which is attached to this house is attached to all models, there are models that
But, slowly, lose their charm and I have to have the
courage to say "This model is no longer." My skill lies in
make these decisions before I tell people. If I
expect me to tell people I could not do my job. I must be
I know when that model has had its day.
None of those who have gone in recent years has been sent away (I'd like to say that the
newsgroup)
we made sure they left us because we were also well convinced that they had done their time here inside.
I mention no names, but they are on everyone's lips. Moreover, all these characters
who went away from here, however, have completed the journey
discendente che avevano già iniziato a Radio Deejay. Tranne per Marco
Baldini che ha, per fortuna, continuato ad avere una sua visibilità
radiofonica. Il caso di Marco è stato più volte affrontato, lui se n'è
andato perché inseguito dai debitori e io ero stufo di prestargli dei soldi ;
Marco poi in diverse interviste ha sempre dichiarato la sua gratitudine nei
miei confronti. Io sono contento per lui, ma eravamo arrivati ad un punto
che non si poteva fare più niente per lui e comunque quando abbiamo perso
Baldini è arrivato Platinette. Ogni distacco è traumatico, ovvio.

Vorrei chiedere a tutti quelli che si lamentano che non c'è più Giuseppe
dove erano in questi due anni, visto che non lo ascoltava più nessuno. Il
Deejay Time era in caduta libera come dati e purtroppo i dati la concorrenza
li ha sbandierati in lungo e in largo e io ho dovuto fare delle correzioni.
Ho chiesto a Giuseppe di assumere essere un po' meno presente proprio per
cambiare un po' la cosa e lui ha scelto di andarsene. Mi dispiace ma fa
parte del gioco.

Tutti quelli che dicono che gli manca dov'erano? Perché non lo ascoltavano?

E' brutto e stupido che sia strumentalizzato in questo modo. Trovo anche
abbastanza triste da parte sua che abbia scelto di andare con quelli che lo
hanno sempre insulted and will use it to insult us even more. E '
sad. Because in the end we were friends with Joseph,
we really helped and kept for 20 years. No one had told him to go away, however, I can understand that one can have his ambitions and go away.
See the case of Paoletta. I'm really happy for her because there was absolutely
closed. We have a guy in my training in
this moment is perfect. There is no change from those who do
the day. Paoletti, which I love, was confined to making the weekend . He found another radio to do something more important, che ledarà delle prospettive almeno per i prossimi 10 anni e io sono felice per lei, ci siamo lasciati in maniera assolutamente serena.

La cosa di Giuseppe è molto triste. Alla fine di luglio abbiamo avuto un
incontro a Riccione: io, Alberto e Giuseppe in cui abbiamo parlato del fatto
che il programma avesse delle grosse difficoltà e che ormai fosse evidente.
Bisognava cambiare in maniera significativa, non solo una rubrica. Tra i
cambiamenti c'era il fatto che Giuseppe avrebbe avuto un ruolo leggermente
differente. (Puoi riportare anche questo). Ci siamo lasciati baci e abbracci
ma alla fine d'agosto, per una settimana, ha continuato a dire: "Vado via.
Sto qua. I go on. I'm here. I go on. I'm here. "Obviously the
have offered a lot of money and eventually went away.
The thing I regret is the malice with which many listeners have commented
thing that is absolutely free. I step to the ogre but I do my job and
far my choices have always rewarded. I took a radio 10 years ago that had 4 million listeners and now has nearly 6 .
choices may also have hurt the heart nostalgic, but we need to change, there are choices that must be made each year.


I like the idea that there is a news group, a discussion forum,
people listening to you and somehow ti critica, dicendo cosa gli piace e cosa
no. Questa è la democrazia, è bellissimo, ma un conto è discutere,
apprezzare, valutare, e un altro è l'allarmismo, il vittimismo e fare il
tifo da stadio. Poi è sempre il solito discorso: se non ti piace c'è il
telecomando e ci vuole pochissimo a cambiare frequenza!"

4.5.6a Motorola Software Free

THE PUBLIC IN YOUR HANDS


7-38-55 è il terno di numeri che solitamente viene citato per indicare il peso dei diversi fattori sull'efficacia della comunicazione:

- 7% è l'impatto del linguaggio verbale;
- 38% è l'impatto del linguaggio paraverbale;
- 55% è l'impatto del linguaggio non-verbal.

These numbers, the result of the studies of Professor. Albert Mehrabian, bring with them an important consequence: the verbal aspects of an intervention in the public account for only 7% on its efficacia.Il rest is left to the para-and non-verbal language.

Pubic Waxing For Men Columbus Ohio

The private radio station, past, present and future. NL exclusive interview with Gianluca Costella


The private radio station, past, present and future.
NL exclusive interview with Gianluca Costella - As we have written on these pages
, 2005 is a year that will leave deep traces in
Italian radio, many are the "movements" that have editorial
distinguished and certainly distinguished him further . The more
operations for the period are of course the supply plant
group Lattemiele Mondadori (R101) and the sale of
maxiemittente Milan Radio Reporter Mediahit
by the group (headed by Lori Bessi, historical editor of Radio Heart). In fact,
while the former is simply one (albeit important) operation
sale of plants, the second is a great deal of editorial
thick, designed to profoundly alter the balance of trade
in local advertising, and distribution area, to some extent, nationally.
It seemed right then analyze the state of the medium and to do so we decided to submit
fed a series of questions one of the leading experts in a radio editorial
Italian, Gianluca Costella, among other things, its artistic director
Radio Reporter. The following interview was collected by journalist
massmediology
Andrea Lombardo and contains new elements of history and Italian radio
Milan in particular.

GIANLUCA, PART OF THE ORIGINS OF RADIO. ISSUERS OF WHICH YOU ARE NOW VERY
HAVE MORE 'IN THE HEART?

The radio that I really loved and with whom they have really grown as a kid listening to
were
Absolute Radio International in Milan, then New Radio Corporation - a few will remember: it was the radio of my
neighborhood - and then Reporter because I've always liked the style of Daniel and Emily
transmission.

ELSE?

I remember with pleasure VIP Radio, in my opinion, was the first real theme Milan
issuer with a program of music from one
disco and soul-jazz. I never knew who did the programming
was really good. I congratulate him after 25 years. The radio
disappeared in 1981: from one day to the other with the Crusaders gave way to Albano and Romina
of Gammarad. Traumatic!

BACK TO RADIO MILANO INTERNATIONAL. WHAT ARE YOUR MEMORIES?

Di Milano International, I immediately loved the music on the air. I remember
clearly the very first moments when it starts broadcasting
at 14. It was 1975, one year course that I lived more
listener to attend to business: I was only 9 years! At that time he listened
Rai, Monte Carlo and little else, but I must say that my love for the radio
born from a passion for music. Even at that age I had the good fortune to
buy discs that I liked more.

AS 'THE FIRST OCCURRED WITH MILAN INTERNATIONAL APPROACH TO LISTEN?

One afternoon my cousin came to visit, with a few years older than me,
saying "there is a private radio station." He explained what it was, lit
radio and tune in to Radio Milano. They were in the wave Labelle.
From there it was for me a new world!

AS IS 'MODERN YOUR "WAY"?

a young boy in 1978 in junior high, I was passionate about technology and
could build a small transmitter with a kit from a magazine on the newsstands, I
"New mail": lit a signal from my house with 20 watts.
broadcast the music that I liked and that was my approach.

AND THEN?

In 80 to 14 years old I enrolled in high school and came into contact with two boys in
leisure pathogens at Radio Milano 1.
invited me in the modest offices of the issuer - The back of a shop - and so began
to attend. After a while I started as a DJ for fun, without
know that radio would become my profession. Following
collaborated with other broadcasters, such as Radio Superstar. But the first
"big step" was through a real opportunity:
went into possession of a 1 kilowatt transmitter and thus was born Cosmo Radio 104,
the radio that I used until 1989.

WHAT MEMORIES OF RADIO COSMO?

We started in 1982. It was a top general radio,
made with limited means. After the first year I realized that
go on like it was a waste of time and resources, and in 1984
changed to be in a music-only station, with jingles of great quality and format
dance (50% new music, 50% tracks from the past). The
advertising began to work.

IS SOMEONE noticed ...

Yeah. 87 Alberto Hazan arrived propose a collaboration, nuanced
from them recently because in that period had the occasion to point out RMC
Italy. The ratio of attendance, however, and continued two years later
I set out to create something together. At that time, various parties
wanted to pursue a partnership with me (for example Gianni
Miscioscia). I still need to find a partner to develop
my business, and I chose Alberto. The first idea was to transform
Cosmo Radio 104 in 105 Music, although I would have preferred to call 105 Dance. But one evening
illuminating the idea: to give life to the first of only classical radio.
started to recover the catalog, buy the discs and swiftly departed
Milan. Radio 105 Classic was born.

almost simultaneously BUT 'YOU ARE ALSO IN THE NATIONAL PARTIES.

We connected several redundant frequencies of 105 and RMC.
Beyond this, the fact is that despite having 105 Classic
undergone many changes in terms of coverage, over time you
attested to having a number of listeners rather high: more than 800,000 average daily
, Audiradio data. Alberto, however, was always focused on 105
and RMC, its priorities: I suffer from it and after seven years Madurai
the decision to leave the company.

THEN IN DECEMBER '96 WHEN WAS THE DECISION TO SELL THE GRANT
NATIONAL FLYING MARIO were already 'out of society'?

Yes my shares had already been sold for a few months to Hazan.

PERO 'HAZAN WITH THE REPORT' HAS GOOD

Absolutely, it is a dear friend and we still attend. In fact I have a lot to
Alberto ... perhaps all, because he taught me how do you make
to the radio. This is the truth. Before I was only
artistic sense and intuition.

WHAT HAPPENS ONCE THE EXPERIENCE OF 105 CLASSIC?

even change your life and I wanted to turn the page in spite of this wonderful experience
radio just finished. He was just born
my child and my desire was to move abroad, in France. Claudio Astorri
But then came that persuaded me to remain in the world
radio. So did Michele Menegon who ran Italy
Radio Network. "Do something for us," he said. Ingle me with a proposal
important and left shortly after the afternoon program "Pirate Radio" with
Andrea Pellizzari. I found myself doing so again in game one
Italy Radio Network and on the other hand, creating the first true consulting
Astorri with Claudio.

AND THEN CAME THE TIME OF 101 ...

Yes, came the phone call every hour of the first radio
would like to receive. At 8:30 am a radiant Angel
Borra told me that it would take to make use of my artistic contribution to his radio,
including the project of revival of the legendary Radio Milano International. In
day we met at the headquarters of the Piazza della Repubblica and already the same evening
reached an agreement. The key role was played by Massimo Lualdi
(consultant group, En), which evoked Borra
to revive the legendary "Magic 101" and planned technical resources to create
operation.

as it would RADIO MILANO INTERNATIONAL Born Again?

In the first phase was to be a celebratory radio, mostly oldies
. In a second stage there would be a development I believe that music and jingles
historians would not be enough to succeed completely.

ALSO HAD THOUGHT TO HISTORIC ITEMS RMI?

With probably the only DJ that I would be aired a little later would have been Leonardo
(Leopard, Ed). He will remain unmatched and unequaled
over time. Angelo and Rino were in agreement with me.

KNOWN AS THE PROJECT IS NOT MADE IN TIME AS CONSEQUENTLY
WAD ARREST OF BROTHERS ...

were arrested a month before being put on-air ". More than a "bunch"
professional was a "hit" man. Having to deal daily with people who
from day to day can not see - without considering the merits of the legal
- was a huge disappointment.

ALSO RMI had devised a format "GOLD". YOUR COURSES HAVE OFTEN ENCOUNTERED
RADIO OLDIES, I think ...

Yes, I was often associated with the year 70/80, but as I said
also developed the schedule of Italy Network and is not merely an oldies radio
: far from it! I do this work because they love music and I like to look ahead
. I like songs that have made the history of music but also
sounds innovative.

GET TO YOUR LAST EXPERIENCE, STILL IN PROGRESS: THE ONE WITH RADIO REPORTER
.

early as 1985 I had the opportunity to work with Radio Reporter in 2003 but only materialized
the opportunity for a more productive working relationship and there was a meeting with
Massimiliano Pozzi, director of the radio.

IN THIS CASE, BECAUSE 'REPORTER HAS CHOSEN YOU? WELLS Think of some
CHANGE DUE TO NOT BRILLIANT RESULTS AUDIRADIO OF AT THIS TIME?

Maximilian retained the old team without inserting new characters
until the radio has grown. When the radio has given signs of slowing down, not
inability to staff, but simply because sometimes it takes a little '
for renewal, he decided to contact me. For a month I did was listen Reporter
that literally puts the X-ray, on the advice of the same
Pozzi.

THEN YOU WILL BE PUT TO ACTUALLY WORK ...

course. At the first meeting with the staff Highlighted
my impressions: the historical items were those that remained cooler and
reasoned that giving value to the product, while the "new generation"
were lost. So I concentrated on just making changes to
schedule. Massimiliano has trusted me to work. With lucidity, in
each meeting, gave precise answers and made me do acting
resources. Step by step I understand the bond that exists between
listeners and the radio from then on, things are simplified.

GIA '. LISTENING TO THE REPORTER. A REAL hard core ...

Reporter has a special relationship with the public, everything from
decipher. The listeners are very attached to the "Radio Heart" and the almost
consider their property. Understanding the audience
first to understand the radio - this is crucial - and not disappoint. Previously there had been
the idea of \u200b\u200brejuvenating the product going to look for a potential audience
that in reality would never have chosen Reporter. And this is probably a cause for the loss of
plays. Aficionados historians found themselves more
classics Reporter (Pooh, Elton John, Zero, Battisti)
who had been greatly reduced, and did not recognize the radio that they had always loved
. It was necessary to create a more homogeneous clock in all age
able to satisfy 100% of the listeners that belong to a very specific type
with an identikit equally clear.

IN GENERALE QUALI INTERVENTI SONO STATI ADOTTATI?

C'erano in onda jingle datati, che ho poi sostituito con liners più attuali
realizzati da Massimo Braccialarghe (voce di Italia 1), e il modo di
confezionare la radio risultava un po' "vintage". Ho cercato di lavorare
proprio lì, oltre ad aggiustare la qualità del suono. Circa i conduttori,
non possono essere segregati in interventi da 30 secondi altrimenti "si
uccide la radio" e cioè "la Radio del Cuore".

RIASSUMENDO: RADIO CON SUONO DIGITALE, BUONI JINGLE E ARMONIZZATA. E POI
QUALI ACCORGIMENTI HAI ADOTTATO?

Il salto in avanti è stato fatto portando la radio "in outside ".
The first step was to direct the reopening of the ten-day
Pirelli skyscraper in Milan: it was in April 2004. We went on the air from there all
days, DJs were strongly motivated by this event and
our microphones have followed many guests from the entertainment world.
same goes for the collaboration with the Fnac in via Torino where we
been present several times bringing the live radio with interviews and show-case
together with the most acclaimed artists Italian. and then directly from concerts, fairs
not forget the comment about the match with Inter Milan and Boots and
Pellegatti.

REPORTER HOW TO JUDGE NOW?

A nice solid product, very different from the other radio. I realize that
a "technician" who listens to the radio reporter could not find one, but
thousand faults! But in the end, extremely friendly and popular appeal that has
Radio Reporter makes it unique. And the results have proved us right.

ABOUT RESULTS, THE RADIO IN 2003 WAS 248 ASCOLTATOR I: TODAY IT HAS 357 THOUSAND
.

We were awarded despite the presence of well-entrenched competitors in the reservoir and
our assets with better reception.

AMONG OTHERS CAN NOT 'IGNORE THE FACT THAT IN THE LAST TWO YEARS ARE THE RADIO
in a sense "AGED" AND REPORTER'S COMPETITORS ARE INCREASED
...

E' proprio così. E Reporter è "invecchiata" ulteriormente. Una delle mie
ultime sfide è stata mettere in onda un programma con due delle voci
storiche della radio, Daniela ed Emilio. La trasmissione, che ripercorre le
classifiche degli anni '60, '70 e '80, riscuote un successo davvero sopra
ogni rosea aspettativa. Ma ho rischiato inserendo il repertorio musicale
degli anni '60.

A QUALE CONDUTTORE DI REPORTER SEI PIU' AFFEZIONATO?

L'affezione non è tanto per un personaggio, ma per la radio in generale.

PROPRIO IN UN MOMENTO DI CONTINUA CRESCITA IN AUDIRADIO REPORTER HA CAMBIATO
PROPRIETA'. UN AUSPICIO PER IL FUTURO?

Continuare a crescere così. Ci sono dei margini di miglioramento notevoli.
Esistono dei terreni che non abbiamo esplorato ancora a pieno. Penso ad
internet, ma non solo. Per quanto mi riguarda gli stimoli ci sono sempre,
altrimenti non farei più questo lavoro.

PER CHIUDERE, PARLIAMO DELLA RADIO OGGI

Il modo di fruire la radio è cambiato. I tempi cambiano. Chi si avvicina
alla musica è più giovane rispetto ad anni fa, ma quando ero ragazzo io
l'unico modo per sentire la musica era accendere la radio. Oggi mio figlio
12enne quando vuole ascoltare musica ha internet, l'Ipod, la tv musicale. La
radio è solo al 4° posto.

MA, OLTRE LISTENING TO YOUNG PEOPLE SHOULD HAVE YET TO RADIO IN FIRST PERSON
?

course, but for them it is a big problem. Do not know where to get started.
It is difficult to find human resources to put in fresh air. I spoke recently with Denny
Stucchi Radio Deejay
that selects the candidates for "Deejay you want," seeking out new voices for radio
Elemedia. He confessed that, despite having collected 2,000 specimens
two years, struggled to select the boys who were to participate in

contest (down to about forty people).

WHY THIS '?

Here is an explanation: the lack of radio places to do "gym."
would be nice to create an Internet radio station dedicated to this. I take the test
most promising, also made in house, I know the "secrets" of
radio and inspire them with the basics of how to be "on-air" with personality.
Want some clever character does not emerge?

AND LOCAL RADIO?

The lower the range, the greater must be the
thematic nature of the issuer. This is the mistake that many publishers are
local radio: not thematize their station ... and therefore not
get visibility and consequently plays.

The future of radio? Mostly

in mano a grossi gruppi editoriali.

PER FORTUNA O PURTROPPO?

Non ti rispondo, nemmeno sotto tortura!


Intervista raccolta da Andrea Lombardo per NL

White Women Beautiful Forbidden Fruit

heard on the radio - Zoo 105


Tutti i ben pensanti ne sono convinti ma nessuno lo dice e tanto meno lo scrive: “Lo Zoo di 105” andrebbe chiuso possibilmente per sempre, lasciando però i protagonisti guidati da Marco Mazzoli e Leone Di Lernia ad espiare tutte le loro colpe ben reclusi e sigillati a chiave all’interno di uno zoo, questa volta però vero, con sbarre vere e con coccodrilli veri a curarsi dei loro così frequentemente citati genitali… :-)
Siamo un Paese libero, some say too free.
course for language, vulgarity and violent offenses, Marco Mazzoli has already been fined at least in the U.S. if it were the order of several million Euro in accordance with the legislation and the application of the FCC and the Federal Government. In parallel, the concession to broadcast FM Radio 105 had already been withdrawn by time and assigned to altri.Dal opposite side of right-thinking we are the realists and the fans who support a loud voice Marco Mazzoli is good, very good, and that " Zoo 105 "is the best radio production of the ether. After all they say to Marco Mazzoli is a great marketing plan, to be the champion of the "trash" a genre that is housed in the new millennium and the growing consensus, especially among the young. I will produce more careful in their comments are welded to the praise of the royalists and fans carrying out a simple thesis, namely that there is nothing scandalous in the language of "Zoo 105" since it is pure "Street Talk", language road, which is normally used in environments in communication between young people and young people. Respect to the reference to sex continually, it is normal to have a fixed idea ... How do you put over "Zoo 105"? Listen to him, love him, hate him? You leave indifferent? It 'difficult to remain neutral in respect of Marco Mazzoli and yet, in my case, I'm not so angry and they are not conquered. It 'a state of continuous analysis that does not come to trial yet. I am a bit 'slow? Sure ... but I am also convinced that the communicator trash, which loaded it on board RTL 102.5 in 1991 and then to Station 1 in 1997 (as a liability ...) has circus acts, not just to be surprised again, perhaps with other turns again. Howard Stern? Do not touch the myth, please; comparison impossible.
you what you zoo?
of that when you close them all or to 105?

New Baby Name Wording

Radiofenomeni Hello welcome to the Blog on the news concerning the world of radio in Italy hope you can find and comment on interesting things. Please comment in a polite thank you and good reading.