Zulu Tango On The Sierra

Amethyst

Amethyst was a beautiful boy that just did not want to surrender to the lure of Bacchus. Bacchus was certainly a good party, even a god-that-I say, unique. Among other things, it was rumored that, with him, it felt good, like on another world and many had already fallen in love with him. She was the only one there lost his head back and went about his business. "What!" - Thought-all of a sudden Bacchus give to my feet and this is not it? Mò see you combined! " and, offended, just while the poor went down the street, threw him a tiger . Amethyst taken aback, calls for "Diana! a tiger." Diana - goddess of hunting know-is, but especially woman is goddess : Listen and makes the girl solid as a rock , that nothing, not even the anger of a tiger, you can scratch. It 's so that amethyst turns, the flesh, nails, hair becomes hard stone, precious stone, gem clear remedy.

After a while Bacchus is resumed, he regrets to see that girl turned into a rock, would remedy, mitigate ... What to do? Finally decides: pour wine on the rock of the best Amethyst quality, not the map which immediately gives the head but good wine and fragrant. It 's his way of loving. Amethyst notes, is a girl who does not grudge after all. No one knows if his heart has forgiven, but it is certain that those who today looks deeply you will see the purple color of the wine.

Amethyst-of-ink impAROlarte 2010 ;

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“Le cicatrici che rimarginano. I colori che corrispondono”

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4 pagine su DPI MAGAZINE

In the June issue of the PPE magazine (leading magazine in the East for graphic design, illustration, published in Taiwan) is a special on Bologna Fairyland. My work is dedicated to these four pages.

here is the short accompanying text:

Philosophy of Art:

I do not like to think illustration as something dedicated just to children or

Considered to be just an illustrator for children. I like to think of myself

Simply as a creator of images. I think That Should an illustrator, with illustrations created

the right visual approach, using a technique

and a language to suit the context in which he operates. I love to

change depending on whether I find myself in front of a magazine of

psychology rather then politics or a children's book. I can’t be forced

to a same unique way of painting illustrations. Every new project is

something original and must be dealt in a personal way. I think an

important thing is to have a good visual culture.

A password to “Childhood Fairyland” :

“Do dark, lie down on the bed, close your eyes and go to the doze;

Ok, you're ready for takeoff ...”

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copertina per il Venerdì di Repubblica

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bozzetti per il Venerdì di Repubblica

These days I worked on a cover illustration for the Friday of Republic (leaving tomorrow). The theme of the service: "The people of VAT.

Broadly speaking in the increased use by employers to lay off employees, then summarize propi as freelancers with VAT. In this way all the burdens and risks fall on the worker, illness, holidays and so on. Even this treatment is imposed on those who work in construction or in the quarries.

I initially proposed three hypotheses, here they are:

first image: a worker's clothes divided in half between his work and the uniform of a manager

.

second hypothesis: a small worker who lost walking in a forest of giant risk managers end up crushed in the jungle of a labor market without rules and safeguards.

third case, more political: a meat grinder where it is being employed. The sole purpose is to increase the profit dell'impresa

quest'immagine, giudicata un pò forte ha portato alla realizzazione di una quarta matita: il tritacarne diventa una macchina immaginifica che trasforma i lavoratori in tanti piccoli liberi professionisti. A manovrarla, in secondo piano, un avido figuro. Questa è la matita che è stata approvata.